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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Oleg A. Drozhzhin; Mikhail A. Vorotyntsev; Salim R. Maduar; Nellie R. Khasanova; +2 Authors

    Abstract Wadsley–Roth phase Li x Nb 9 PO 25 has been studied as a potential candidate for anode material of Li-ion batteries. Its crystal structure, which consists of ReO 3 -type blocks of NbO 6 octahedra connected with PO 4 tetrahedra, provides a good stability and performance during Li + insertion/removal. Li-ion chemical diffusion coefficient ( D chem ) in Li x Nb 9 PO 25 was determined by means of potentiostatic intermittent titration technique and electrochemical impedance spectroscopy. Different data treatments (classical Warburg equation or the model of an electrode system with ohmic potential drop and/or slow kinetics of the interfacial Li + ion transfer across the electrode/electrolyte interface) were used for calculation of D chem of the Li ion inside this material; their applicability is discussed in the article. D chem changes with the Li-ion doping degree, x, in Li x Nb 9 PO 25 and has a sharp minimum near the two-phase region at appr. 1.7 V vs. Li + /Li. These values of D chem in Li x Nb 9 PO 25 (∼10 −9 –10 −11 cm 2 s −1 ) were found to be in average noticeably higher than in the widely studied anode material, Li 4 Ti 5 O 12 .

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Electrochimica Actaarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Electrochimica Acta
    Article . 2013 . Peer-reviewed
    License: Elsevier TDM
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Electrochimica Actaarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Electrochimica Acta
      Article . 2013 . Peer-reviewed
      License: Elsevier TDM
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rodolfo Gozalo; Miguel V. Pardo Alonso; José Ignacio Valenzuela Ríos;

    n el núcleo del Sinclinal de Almadén (Ciudad Real, España) aflora una potente sucesión vulcano-sedimentaria (Complejo Vulcano-Sedimentario de Chillón), que se apoya sobre una sucesi6n esencialmente limo-pelÍtica (Fm. Yalmayor), ambas frasnienses, en el techo de esta ultima se encontr6 el yacimiento QUIN- I 8, especialmente rico en braquiópodos y ostrácodos fósiles. La edad indicada por estos correspondería a la parte alta de la Zona de Mesotaxis asymmetricus Media hasta la Zona de M. asymmetricus Superior (parte alta de la Zona de Palmatolepis punctata a la Zona de P. hassi Inferior, en la zonación estandar de conodontos). Los ostrácodos pertenecen al llamado ecotipo (ökotyp) eifélico, e indican un biotopo periarrecifal en una plataforma marina infralitoral. Sin embargo, los braquiópodos dominantes, Pradochonetes muelleri y Douvillina alvarezi, considerados autóctonos o parautóctonos, indicarían un ambiente inf alitoral protegido, de escasa energfa y fondos blandos, por debajo del nivel de base habitual de las olas de tormenta. El resto de braquiópodos, considerados alóctonos, serían transportados al yacimiento en el curso de fuertes tormentas ocasionales; estos, junto con los ostrácodos, habrían vivido en medios más someros, probablemente cerca de pequeños parches arrecifales en laderas de volcanes submarinos (Complejo Vulcano-Sedimentario).

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Spanish Journal of P...arrow_drop_down
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    Spanish Journal of Palaeontology
    Article . 2021 . Peer-reviewed
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      Spanish Journal of Palaeontology
      Article . 2021 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: CAMMARATA SM; MARRONE P; AMARI P; ODDO G; +3 Authors
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lepistö, Antti;

    Tutkimuksessani tarkastelen Frankfurtin koulukunnan kriittisen teorian edustaja Herbert Marcusea 1960-luvun lopun länsimaisen uuden vasemmiston opiskelijaradikaalien kiistel-tynä isähahmona. Hahmottelen saksalaisen kriittisen filosofian vallankumouksellisuuteen elämäkseen ja 1960-luvun lopulla opiskelijoiden liikehdintään sitoutuneen Marcusen filoso-fisesta ajattelusta ja poliittisesta toiminnasta rakentunutta poliittista figuuria kolmella erityi-sellä lukutavalla. Oletan, että Marcusen ajattelussa on taipumuksia jatkuvuuteen ja sen eri vaiheita ohjaa pyrkimys kapitalistisen järjestelmän kritiikkiin sekä kumoamiseen saksalai-sen negatiivisen filosofian tradition avulla. Näin Marcusen 1960-luvulla muun muassa opiskelijaradikaaleille esitettyjä teoreettisia näkemyksiä voidaan kokonaisvaltaisemmin ymmärtää vain filosofin vuosikymmeniä aikaisemmin laatiman tuotannon avulla. Toiseksi luen Marcusen poliittista toimintaa niin sanottuna teoriapolitiikkana. Kari Palosen ja Quen-tin Skinnerin lanseeraama teoriapoliittinen perspektiivi keskittyy teoretisoivassa toiminnas-sa ilmenevien käsitemuotoilujen, tilannetulkintojen ja normatiivisten näkemysten poliitti-seen ulosluentaan. Jo 1950-luvun alussa alkanut psykoanalyysin metapsykologialla marxi-laista yhteiskuntakritiikkiä piristänyt teoriapoliittinen kehittely mahdollisti Marcusen 1960-luvulla yrittämän kriittisen teorian uudelleenpolitisoimisen. Korostetusti teoriapoliittisella negatiivisella filosofiallaan Marcuse alkoi erkaantua vanhojen kollegojensa Max Hork-heimerin ja Theodor W. Adornon edustamasta kriittisen teorian politisointia ja politikointia vieroksuneesta linjasta. Kolmannen lukutavan muodostaa J.L. Austinin puheaktiteoria ja siitä Quentin Skinnerin ja etenkin Jacques Derridan tekemät oivallukset. Lukutavan kes-keisajatuksena on tutkia, miksi vastoin tahtoaan kulttimaineeseen nousseen Marcusen filo-sofinen argumentaatio tulkittiin niin kuin tulkittiin ja mistä Marcusen väärinymmärtäminen johtui. Teen tutkimukseni alussa uuden vasemmiston synnyn ja kehityksen, poliittisten tilantei-suuksien niukkuuden ilmapiirin ja ainoastaan Marcusen vuosien 1964-1969 figuurin tulkit-semisille keskeisimmät tekstit ja puheet huomioon ottavan demonstraation. Sen jälkeen keskityn selvittämään, millaiseen filosofiaan ja teoriapoliittiseen kehittelyyn Marcusen kiis-tanalainen asema uuden vasemmiston isänä todellisuudessa perustui. Yritän selittää, miksi kriittistä teoriaa politisoimaan ryhtynyt, mutta politikoinnin diskursseista vetäytynyt ja poli-tisoinnin diskursseihin varauksellisesti suhtautunut Marcuse toimi sillä poliittisella tyylillä kuin toimi. Painotan itse kriittisen teorian seuraamisesta ja kriittisen intellektuellin ”poliitti-sesta eetoksesta” ja sivistysdiskurssista johtuvaa tietoista rajallisuutta ja kyynisyyttä politii-kan, varsinkin retorisen puheen alueilla.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jyväskylä University...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jyväskylä University...arrow_drop_down
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    Authors: MARINO, Giuseppe Carlo;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Laugale, Maija;

    Utopija nevar pastāvēt bez antiutopijas. Parasti tieši zemāko kārtu dēļ utopiska vide ir iespējama. ‘Neļauj man aiziet’ ir Kazuo Išiguro romāns, kurā cilvēki var dzīvot ilgāk ar klonu diskriminācijas palīdzību. Diskriminācija ir uzskatīta par svarīgu sastāvdaļu sociālajās attiecībās. Šis pētījums analizē antiutopijām rkasturīgo diskrimināciju iepriekšminētajā romānā, pētot kā diskriminācija veicina gan utopiskas gan antiutopiskas vides pastāvēšanu vienā un tajā pašā antiutopiskajā literārajā darbā. Literatūras apskats, žanra pētīšana un sociālo normu analīze ir pētnieciskās metodes, kas tika izmantotas šajā pētījumā. Pētījuma rezultāti uzrādīja tiešu saistību starp diskrimināciju un utopiskām un antiutopiskām ainām. There cannot be a utopia without a dystopia. It is usually at the expense of the lower classes that the utopic setting is possible. Kazuo Ishiguro’s ‘Never Let Me Go’ is a novel in which humans can live longer because of discriminating clones. Discrimination is seen as important part in societal relations. This paper analyses dystopian discrimination in the novel by studying how discrimination contributes to both a utopian and a dystopian setting being present in a dystopic literary work. Literature review, genre studies and the analysis of societal norms were the research methods used in this study. The results showed a direct link between discrimination and utopic and dystopic scenarios.

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    Authors: Sunyer Molné, Magí;

    La identificació del camp amb la genuïnitat no és exclusiva de la cultura catalana. L’article analitza la construcció d’aquest mite en la literatura catalana del segle xix, prestant particular atenció a la derivació patriòtica que uneix paisatge, habitants i tradicions rurals amb la Catalunya real que lentament anava desapareixent com a resultat de les revolucions polítiques i industrials. El mite de la terra alta ha proporcionat símbols tan freqüentment utilitzats com ara el de la barretina (un tipus de capell) i la muntanya, així com alguns debats ben interessants sobre l’organització tradicional de la família i els contrastos entre camp-ciutat i tradició-revolució.

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    Authors: Madeddu, Giordano; Rusconi, Stefano; Cozzi Lepri, Alessandro; Di Giambenedetto, Simona; +146 Authors

    Background: Nucleos(t)ide reverse transcriptase inhibitors (NRTI) toxicity may represent a threat for long-term success of combined antiretroviral therapy. Some studies have suggested a possible improvement of NRTI-related toxicity after switching to NRTI-sparing regimens. Objectives: We aimed to explore the efficacy and tolerability of switching to darunavir/ritonavir (DRV/r) plus raltegravir (RAL) while having a viral load (VL) ≤50 copies/mL in the clinical setting. Study design: Treatment-experienced HIV 1-infected patients enrolled in the ICONA Foundation Study cohort were included if they switched their current regimen to DRV/r + RAL with a HIV-RNA ≤50 copies/mL. Different definitions of virological failure (VF) and treatment failure (TF) were employed. Kaplan–Meier curves and Cox regression models were performed to estimate time to event probability. Results: We included 72 HIV-infected patients, 22 (31%) of these were female, 31 (43%) men who have sex with men (MSM) amd 15 (21%) had hepatitis co-infections. Median age was 44 (IQR: 35-50) years amd CD4 count was 389 (IQR 283-606) cells/mmc. Median follow-up time for TF was 24 (IQR 9–31) months. Twenty-five discontinuations occurred (60% simplifications); only 2 (8%) were toxicity-driven (lipid elevations). The probability of VF (confirmed VL >50 copies/mL) was estimated at 7% [95% confidence interval (CI) 1–13%] by 12 and 9% (95% CI 2–16%) by 24 months. When considering TF, we found a probability of stop/intensification/single VL > 200 copies/mL of 13% (95% CI 1–17%) and 22% (95% CI 11–33%) by 12 and 24 months. Female gender (adjusted relative hazard, ARH = 0.10; 95% CI 0.01–0.74; p = 0.024) and older age (AHR = 0.50 per 10 years older; 95% CI 0.25–0.99; p = 0.045) were associated with a lower risk of TF. A previous PI failure was strongly associated with TF (AHR = 52.6, 95% CI 3.6–779; p = 0.004). Conclusions: DRV/r + RAL is a valuable NRTI-sparing option, especially in female and older patients, with a relatively low risk of VF and good tolerability after 2 years since start in an ART-experienced population. However, previous PI-failure should be a limiting factor for this strategy.

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    Infection
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Infection
    Article . 2017 . Peer-reviewed
    License: Springer TDM
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    PubliCatt
    Article . 2017
    Data sources: PubliCatt
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Infection
    Article . 2016
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: LA BELLA, Salvatore; VIRGA, Giuseppe;

    Il genere Thymus appartiene alla famiglia delle Lamiacaee e comprende numerose specie distribuite nell’area mediterranea. Il nome deriva dal greco “δίμοσ” (profumo) per sottolineare l’intenso e gradevole aroma che la pianta produce. Secondo altri autori il nome trae origine dalla parola egiziana “tham”, che si riferisce ad una pianta profumata usata per le imbalsamazioni. In Italia il Pignatti descrive 17 specie di timo, delle quali quelle maggiormente interessanti da un punto di vista erboristico sono: T. vulgaris L. (timo comune), T. capitatus (L.) Hoffman et Link (timo capitato), T. serpyllum L. (timo serpillo) e T. zygis L. (timo rosso). Allo stato spontaneo sono presenti varie forme di timo, differenti, oltre che per le caratteristiche morfologiche, anche per la variabilità nella composizione degli oli essenziali. Sulla base delle caratteristiche degli oli vengono generalmente classificati 7 chemiotipi di timo, non interamente riconosciuti dalla F.U. Il timo è una specie tipica degli ambienti caldo-temperati mediterranei, ma è presente anche nelle zone orientali dell’Europa e nel centro-sud dell’arcipelago delle Baleari. In Italia, si trova allo stato spontaneo lungo le zone costiere, nelle pendici assolate e rocciose e in luoghi aridi in prossimità del mare. Si ritrova in ambienti con altitudine variabile da 0 a 1.500 metri s.l.m..

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Oleg A. Drozhzhin; Mikhail A. Vorotyntsev; Salim R. Maduar; Nellie R. Khasanova; +2 Authors

    Abstract Wadsley–Roth phase Li x Nb 9 PO 25 has been studied as a potential candidate for anode material of Li-ion batteries. Its crystal structure, which consists of ReO 3 -type blocks of NbO 6 octahedra connected with PO 4 tetrahedra, provides a good stability and performance during Li + insertion/removal. Li-ion chemical diffusion coefficient ( D chem ) in Li x Nb 9 PO 25 was determined by means of potentiostatic intermittent titration technique and electrochemical impedance spectroscopy. Different data treatments (classical Warburg equation or the model of an electrode system with ohmic potential drop and/or slow kinetics of the interfacial Li + ion transfer across the electrode/electrolyte interface) were used for calculation of D chem of the Li ion inside this material; their applicability is discussed in the article. D chem changes with the Li-ion doping degree, x, in Li x Nb 9 PO 25 and has a sharp minimum near the two-phase region at appr. 1.7 V vs. Li + /Li. These values of D chem in Li x Nb 9 PO 25 (∼10 −9 –10 −11 cm 2 s −1 ) were found to be in average noticeably higher than in the widely studied anode material, Li 4 Ti 5 O 12 .

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    Electrochimica Acta
    Article . 2013 . Peer-reviewed
    License: Elsevier TDM
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Electrochimica Actaarrow_drop_down
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      Electrochimica Acta
      Article . 2013 . Peer-reviewed
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    Authors: Rodolfo Gozalo; Miguel V. Pardo Alonso; José Ignacio Valenzuela Ríos;

    n el núcleo del Sinclinal de Almadén (Ciudad Real, España) aflora una potente sucesión vulcano-sedimentaria (Complejo Vulcano-Sedimentario de Chillón), que se apoya sobre una sucesi6n esencialmente limo-pelÍtica (Fm. Yalmayor), ambas frasnienses, en el techo de esta ultima se encontr6 el yacimiento QUIN- I 8, especialmente rico en braquiópodos y ostrácodos fósiles. La edad indicada por estos correspondería a la parte alta de la Zona de Mesotaxis asymmetricus Media hasta la Zona de M. asymmetricus Superior (parte alta de la Zona de Palmatolepis punctata a la Zona de P. hassi Inferior, en la zonación estandar de conodontos). Los ostrácodos pertenecen al llamado ecotipo (ökotyp) eifélico, e indican un biotopo periarrecifal en una plataforma marina infralitoral. Sin embargo, los braquiópodos dominantes, Pradochonetes muelleri y Douvillina alvarezi, considerados autóctonos o parautóctonos, indicarían un ambiente inf alitoral protegido, de escasa energfa y fondos blandos, por debajo del nivel de base habitual de las olas de tormenta. El resto de braquiópodos, considerados alóctonos, serían transportados al yacimiento en el curso de fuertes tormentas ocasionales; estos, junto con los ostrácodos, habrían vivido en medios más someros, probablemente cerca de pequeños parches arrecifales en laderas de volcanes submarinos (Complejo Vulcano-Sedimentario).

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    Spanish Journal of Palaeontology
    Article . 2021 . Peer-reviewed
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      Spanish Journal of Palaeontology
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: CAMMARATA SM; MARRONE P; AMARI P; ODDO G; +3 Authors
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    Authors: Lepistö, Antti;

    Tutkimuksessani tarkastelen Frankfurtin koulukunnan kriittisen teorian edustaja Herbert Marcusea 1960-luvun lopun länsimaisen uuden vasemmiston opiskelijaradikaalien kiistel-tynä isähahmona. Hahmottelen saksalaisen kriittisen filosofian vallankumouksellisuuteen elämäkseen ja 1960-luvun lopulla opiskelijoiden liikehdintään sitoutuneen Marcusen filoso-fisesta ajattelusta ja poliittisesta toiminnasta rakentunutta poliittista figuuria kolmella erityi-sellä lukutavalla. Oletan, että Marcusen ajattelussa on taipumuksia jatkuvuuteen ja sen eri vaiheita ohjaa pyrkimys kapitalistisen järjestelmän kritiikkiin sekä kumoamiseen saksalai-sen negatiivisen filosofian tradition avulla. Näin Marcusen 1960-luvulla muun muassa opiskelijaradikaaleille esitettyjä teoreettisia näkemyksiä voidaan kokonaisvaltaisemmin ymmärtää vain filosofin vuosikymmeniä aikaisemmin laatiman tuotannon avulla. Toiseksi luen Marcusen poliittista toimintaa niin sanottuna teoriapolitiikkana. Kari Palosen ja Quen-tin Skinnerin lanseeraama teoriapoliittinen perspektiivi keskittyy teoretisoivassa toiminnas-sa ilmenevien käsitemuotoilujen, tilannetulkintojen ja normatiivisten näkemysten poliitti-seen ulosluentaan. Jo 1950-luvun alussa alkanut psykoanalyysin metapsykologialla marxi-laista yhteiskuntakritiikkiä piristänyt teoriapoliittinen kehittely mahdollisti Marcusen 1960-luvulla yrittämän kriittisen teorian uudelleenpolitisoimisen. Korostetusti teoriapoliittisella negatiivisella filosofiallaan Marcuse alkoi erkaantua vanhojen kollegojensa Max Hork-heimerin ja Theodor W. Adornon edustamasta kriittisen teorian politisointia ja politikointia vieroksuneesta linjasta. Kolmannen lukutavan muodostaa J.L. Austinin puheaktiteoria ja siitä Quentin Skinnerin ja etenkin Jacques Derridan tekemät oivallukset. Lukutavan kes-keisajatuksena on tutkia, miksi vastoin tahtoaan kulttimaineeseen nousseen Marcusen filo-sofinen argumentaatio tulkittiin niin kuin tulkittiin ja mistä Marcusen väärinymmärtäminen johtui. Teen tutkimukseni alussa uuden vasemmiston synnyn ja kehityksen, poliittisten tilantei-suuksien niukkuuden ilmapiirin ja ainoastaan Marcusen vuosien 1964-1969 figuurin tulkit-semisille keskeisimmät tekstit ja puheet huomioon ottavan demonstraation. Sen jälkeen keskityn selvittämään, millaiseen filosofiaan ja teoriapoliittiseen kehittelyyn Marcusen kiis-tanalainen asema uuden vasemmiston isänä todellisuudessa perustui. Yritän selittää, miksi kriittistä teoriaa politisoimaan ryhtynyt, mutta politikoinnin diskursseista vetäytynyt ja poli-tisoinnin diskursseihin varauksellisesti suhtautunut Marcuse toimi sillä poliittisella tyylillä kuin toimi. Painotan itse kriittisen teorian seuraamisesta ja kriittisen intellektuellin ”poliitti-sesta eetoksesta” ja sivistysdiskurssista johtuvaa tietoista rajallisuutta ja kyynisyyttä politii-kan, varsinkin retorisen puheen alueilla.

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    Authors: MARINO, Giuseppe Carlo;
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